That Floating Poo Was Way Too Meaningful! It's the Television Disappointments of the Year.

Looking back, we reflect on the TV offerings of the past year, a handful of shows emerge not for their excellence, but for their spectacular shortcomings. Ranging from awkward spin-offs to confusingly poor documentaries, here are the programmes that left us utterly bewildered or just reaching for the remote.

And Just Like That

Where to begin with this divisive follow-up? Burdened with dreadful scripts, cringe-inducing arcs (justice for Miranda!), and a paltry 71 seconds of fan-favourite Samantha, the show struggled to find its footing. For a moment, as the final season began, it seemed as if it had at last hit its stride. Then arrived an episode centered on Seema’s natural deodorant. No wonder the creator announced this would be the last series. It ended on a low point; the closeup of Miranda’s loo flooded with poo was just way too on-the-nose. Yet, fans undeniably found joy dissecting every single “what on earth?” episode. And as Carrie – a single woman once more – danced around her sprawling townhouse to Barry White, who couldn't release a small sob?

All’s Fair

‘Can Kim Kardashian act? Of course she can’t.’

But that was almost the smallest of this show's issues. The recipient of a exceedingly uncommon no-star review, it was hard to know where to begin listing the flaws. The laughably leaden writing? The tedious glorification of affluence and consumption? The seemingly deliberate parade of tropes? Acting so poor they felt borderline spiteful? Suffice it to say “all of the above” and never speak of this series again. However, a second season has been ordered, so we’re likely going to have to.

AKA Charlie Sheen

Given the legal troubles, abuse claims and parental shortcomings, it’s fair to say Charlie Sheen has been a troubled figure. Not you’d truly have gleaned it from this three-part docuseries which smirked its way at Sheen’s various episodes of self-destructive hedonism while struggling to tell us anything we weren't already aware of. Rather, it felt as if this volatile personality was being indulged, so any sympathy this series might evoke should be reserved for the people who have had to endure proximity with this charismatic but flippant egotist.

The Supercomputer Drama

Naturally we understood it was preposterous from the get-go: a drama about a supercomputer known as Charlie Big Potatoes that could either solve global crises – or annihilate all of humanity. We stuck with it out of pure admiration for its stars … but by the end, it felt like even they had given up trying. One barely cared when his character died, and the other ultimately slicing Charlie with an axe … in super slow-motion. That's what you call admitting defeat.

The Gangster Drama

Dodgy characters convening in empty boxing gyms? The Prodigy’s Firestarter jackhammering away in club scenes? The late 90s called and demands its crime drama back.

Actually, that is unfair on the crime shows of the late 90s. Many look a little dated now, but at least they didn’t suffer the embarrassment of having to accommodate unconvincing accents. But there were many other problems. Primarily that it was just profoundly dull; a conflict over narcotics territory between various London rogues which felt rather simplistic.

The Meghan Markle Series

Considering the extent to which she grinds the gears of certain ostentatiously angry commentators, it’s temptingly easy to admire the Duchess of Sussex’s televised ventures into quaint lifestyle as deliberate statements. But then you watch them and are forced to admit that actually, they might have a point. It’s like watching a lifestyle magazine animated; a meme for evening drinks with delusions of grandeur; a procession of sleeping dogs, humming beehives, Hallmark platitudes and forgettable crafting “tips” you’ll forget instantly. All underpinned by vast, largely unearned wealth. Ugh.

The Beckham Documentary

There are obviously interesting things to be said about regarding Victoria Beckham and her journey with vocation, identity, self-acceptance. But for some reason, this documentary series opted not to explore them. Instead, the experience was akin to consuming a sales brochure. She clearly has good reason to resent what she describes as her “miserable cow” image. But sadly, she didn’t do herself any favours with this cagey letdown of a series.

The Inheritance

It should have been the next cultural phenomenon – except even camper, with a famous star as a deceased benefactor and a well-known personality managing her estate. What more could you ask for? As players competed, there was plenty of betrayal and arguing. But the rules quickly became bewildering: it’s still too confusing to explain what exactly was happening. Even more regrettably, we only saw brief appearances of the star via filmed videos. The show ended up smelling of a programme that was trying way too hard to live up to something far greater than it.

Too Much

How does one succeed a show that defined a generation? The expectation was enormous for this glitzy romcom about Jessica, a rosy-eyed New Yorker who arrives in London with a shattered romance. The lead actress seized the opportunity by the horns and was joyous to watch, reveling in Jane Austen levels of romantic notions. But it was all very glossy and, paradoxically, was insufficient. Plus, the sheer amount of famous friends involved felt icky.

Mitchell & Webb Are Not Helping

Not good enough to be ‘patchy’.

Given the smart recruitment of talented younger comics, hopes were high. But unhappily, most of it fell flat. A recurring sketch was a single joke milked to a dry pulp but repeated in every episode. One star seemed too ready to slip into a familiar ranting mode. The behind-the-scenes sketches, meanwhile, simply inspired the idea that they should probably have stayed in there a while longer.

The Twisted Tale of Amanda Knox

This dramatisation of the story of Amanda Knox was overseen by Amanda Knox and pretty much solely showcased the perspective of Amanda Knox. So, while there undoubtedly is an interesting drama to be made about the tragic 2007 murder, this was not it. The subject matter needed to be handled sensitively. Rather, the series struggled painfully to find the right tone, lurching from oddly jaunty, somewhat mannered farce to ultimately, real-life horror. Complex? Perhaps. A total mess? Very much so.

Prime Target

We admire the lead actor … but did we buy him playing the greatest maths genius in history, a man so smart he’s on the verge of a breakthrough that could destabilise society? No! This international thriller about secret services targeting – and killing off – intellectuals frankly got more absurd by the second. Silliness-by-numbers.

1000 Men and Me: The Bonnie Blue Story

This hagiography followed the content creator notorious for explicit exploits as she prepared for her biggest feat yet. What on earth would possess her? What we craved was way more interrogation of her actual psyche, plus those of the men in the queue. They could at least have interviewed the now-famous mum who appeared to drag her son away from the queue. What we got was disturbing shots and absolutely no interrogation of her notoriety whatsoever. It's staggering to consider, the filmmaker has a young daughter too.

Amanda Estrada
Amanda Estrada

Marco is an archaeologist and historian specializing in Roman antiquity, with over 15 years of experience in excavating and studying Pompeii's artifacts.